About

True Smith (she/they) is a theatrical director based in Denver. Originally from San Antonio, Texas, True strives to bring a unique perspective to the stage by drawing on her vibrant inner world as an individual with autism, blending her cultural heritage and innovative theatrical practices. Her work is not just about the end product but about creating safe and collaborative artistic environments.

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True is committed to using consent-forward, trauma-informed artistry alongside specialized techniques involving somatics, breath work, and mindfulness.  After relocating to Colorado to pursue her education, True completed the directing curriculum at the University of Northern Colorado, where she co-founded Directors Inspiring Riveting Theatre (D.I.R.T), the most prolific producing student group on campus to this date. Her dedication to pushing the boundaries of theatre and to addressing relevant, yet often uncomfortable, topics has led her to direct contemporary, timely shows such as Revolt. She Said. Revolt Again. By Alice Birch, Lungs by Duncan Macmillan, Plano by Will Arbery, and Avocado by V Ensler, along with numerous new work developments.  

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True's passion is directing thought-provoking and relevant productions that serve a larger purpose: the community. Following a summer internship with Diversity in the Arts in Denver, as a Su Teatro Summer Programs Intern, True joined Su Teatro Cultural and Performing Arts Center as a full-time staff member. They are the Artistic Programs Assistant, the Cultural Arts Education & Leadership Institute Assistant, and Teaching Artist, where she is grateful to fully immerse herself in professional theatre and the local community.

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True is also the Founder and Co-Producer of The Moot Point Project, an independent Denver theatre project that challenges reality by evoking emotional catharsis and demonstrating that the limits of traditional theatre are moot for emerging local artists. Through experimental and unconventional productions, The Moot Point Trio (True Smith, Megan Dille, and Sarah Ausloos) develops new work, support emerging and student artists, and builds community through free or affordable events.

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In addition to True’s position, directing and intimacy coordination, their goal is to be a multifaceted creative force with her plays and poetry. True's approach is inventive and grounded, driven by a desire for a genuine connection. Her work is not just about the end product but about the audience, aiming to cultivate connections, understanding of others, and, ultimately, change the world for the better by empowering others through theatre arts.